• Side view of the footed crystal caviar server, showing the pointed leaf cuts on the bowl and the faceted pedestal foot
  • Close three quarter view of the caviar dish against a boucle chair, the polished gilt frame resting on the crystal rim
  • Crystal caviar service dish on stone pavers beside an oak chair leg, sunlight throwing rainbow refractions across the floor
  • Angled view of the English cut crystal caviar dish, the gilt bridge bars suspending the inner bowl above the outer ice well
  • Overhead view of the cut crystal footed caviar dish with a gilt ring frame holding a smaller inner crystal bowl, on tumbled stone pavers
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Side view of the footed crystal caviar server, showing the pointed leaf cuts on the bowl and the faceted pedestal foot
Close three quarter view of the caviar dish against a boucle chair, the polished gilt frame resting on the crystal rim
Crystal caviar service dish on stone pavers beside an oak chair leg, sunlight throwing rainbow refractions across the floor
Angled view of the English cut crystal caviar dish, the gilt bridge bars suspending the inner bowl above the outer ice well
Overhead view of the cut crystal footed caviar dish with a gilt ring frame holding a smaller inner crystal bowl, on tumbled stone pavers

Midcentury English Cut Crystal Footed Caviar Service Dish

$430.00
$430.00
Shipping calculated at checkout.

Found in United States

A refined example of midcentury English glassmaking, this footed caviar service dish pairs deeply cut crystal with a fitted gilt metal rim. The pedestal bowl is cut in a bold diamond and fan motif that catches light from every facet, rising from a scalloped, star cut foot typical of quality English crystal of the period.

Crowning the rim is a brass toned double ring fitting, hinged at two points and designed to cradle a liner bowl at its center so caviar or garnish could be nestled over ice while served from the crystal base beneath. The fitting shows light age appropriate wear to the gilding, adding warmth rather than detracting from the piece.

Made in England and sourced in the United States, this dish carries the weight and crispness of traditional English cut crystal, hand finished with the kind of attention that defined midcentury tableware production. At a compact 6 x 6 x 6 inches, it is equally suited to a proper caviar presentation, a dish of olives or nuts, or as a small decorative catchall on a bar cart or vanity.

A versatile, collectible piece for anyone drawn to the ritual of fine entertaining.

Collectors Notes

This dish sits comfortably alongside other faceted pieces in our Crystal collection, and its small scale makes it an easy addition to a bar setup from our Barware selections.

For a couple who entertains, it also makes a thoughtful pick from our Wedding Gifts collection.
Dimensions

6 x 6 x 6"
Shipping

We ship worldwide, with USPS Ground included for orders within the 48 contiguous U.S. states (5–8 business days). USPS Express (2 business days) is available at checkout for an added cost. Orders are typically processed within 1–2 business days, and you’ll receive an email with tracking details once shipped. Please note that delivery times are estimates and may vary due to weather, carrier delays, or peak seasons. If you have any questions about your order, contact us at info@collectorsgene.com.

Side view of the footed crystal caviar server, showing the pointed leaf cuts on the bowl and the faceted pedestal foot
Close three quarter view of the caviar dish against a boucle chair, the polished gilt frame resting on the crystal rim
Crystal caviar service dish on stone pavers beside an oak chair leg, sunlight throwing rainbow refractions across the floor
Angled view of the English cut crystal caviar dish, the gilt bridge bars suspending the inner bowl above the outer ice well
Overhead view of the cut crystal footed caviar dish with a gilt ring frame holding a smaller inner crystal bowl, on tumbled stone pavers
Collectors Gene | Cameron Ross Steiner

Who Are You Buying From?

Every object here has a journey before it ever reaches you. I've spent years seeking these pieces out, in back rooms of old ateliers, from families who've inherited more than they can keep, through dealers I've come to trust, in conversations with people who still work with their hands, because I've always believed the things we choose to live with should carry something true. What began as a private obsession became a devotion, one I now share with my wife and daughter, who remind me daily that the best collections are the ones built to be passed down, not simply owned. What you're holding isn't just an object. You're inheriting its story, and becoming part of its next chapter.

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